Think of a Plains Indian tribe and most of us see a nomadic people with horses, hunting the vast herds of bison on the Great Plains. In reality, only some tribes who lived within the area from the Mississippi River in the East to the Great Basin in the West fit this image. There were more than 30 separate tribes, each with its own language, religious beliefs, customs, and way of life. They were as culturally varied as the European immigrants who settled the North American continent.
Some of these tribes were mobile, ranging over a large region in pursuit of bison. Many were also raiders, stealing horses and various goods from other tribes. Other tribes were settled agriculturists, raising crops in fertile river valleys, and also spending some time hunting bison. And the horse itself, what many people consider the defining characteristic of the Plains Indians, was actually a fairly new addition to their lifestyle.
The Spanish brought horses with them in the 1500s to their settlements in the Southwest, and they eventually spread to Indian tribes in the Great Plains. Most tribes incorporated horses into their economy and culture, while many used the horse to totally transform their lifestyle.
The most important change horses brought to these tribes was the ability to abandon permanent villages and travel over the Great Plains to hunt bison. Before the horse, few tribes settled or traveled outside major river valleys because of the enormous distances involved, and the difficulty of hunting bison on foot.
Abandoning permanent or semi-permanent villages for a mobile lifestyle meant owning and carrying fewer possessions. Though known as great artists, most of the artwork of a majority of Plains Indian tribes tended to be decorations on things they carried with them and used for daily life, including tipis, clothing, carrying cases, pipes, religious items, and musical instruments.
Parfleches (carrying cases) and medicine bundles were usually brightly painted in vivid geometric designs, while clothing tended to have extraordinarily beautiful quillwork. After the introduction of glass and china beads in the 1840s, porcupine quills became less popular, but the resulting work would be considered artistic by anyone’s standards.
Paints came from iron—containing ores for brown, red, and yellow, plants, which provided various dyes, and black earth and charcoal for black. The paintings and decorations were more a means of communication than art. And, as with other aspects of their lives, what shapes or colors they used and what they meant differed from tribe to tribe. Although some patterns might be common throughout the region, there were tribal differences, and certain tribes tended to favor certain patterns.
Men usually preferred realistic forms such as battle scenes or great accomplishments, while women worked in geometric designs. Their embroidery work with quills and, later, beads tended to show more variation in the designs than the paintings. However, more elaborate designs did not become commonplace until the availability of cheap and abundant glass and china beads.